Jonathan + Olivia expanded its specially-selected Topshop line last week, adding another layer of accessible high street chic to the Ossington Avenue store-within-a-store by launching the label’s final Kate Moss collection, along with additional items from Topman menswear and the new Topshop Make-Up range.
With a flurry of audacious patterns, primary colours, and ’80s explosions, the Beckerman sisters—Caillianne, Samantha and Chloé—held one of their occasional sample sales this past weekend, bringing a stash of their own designs as well as a curated selection of vintage finds to a pop-up shop at the north end of Toronto’s Fashion District.
Also on board was handbag creator Andrea Brueckner, who supplied a selection from her line—New York-made and sweatshop-free—which typically hangs from the shoulders and arms of L.A. starlets. Check out our favourite looks and pieces from the event!
Story by Leanne Delap. Photography by Brendan Adam Zwelling.
The other night at the Canfar Bloor Street Entertains fundraiser, I had the pleasure of being seated beside some bright young things. It was great fun—I enjoyed them and wondered at the verve and nerve.
But I was struck by the lack of history in the fashion industry of this city.
More particularly, mention of some of our classic eccentrics, I was struck by how fleeting fame and infamy is in this city. The currently current generation does not have a clear sense of what came before. Good heavens, someone must retain the grand memory of the years Bentley-driving Babs hairdresser Robert Gage wore nothing but white. Oh, except for the half-decade he wore only red.
Which brings me to Jie Matar. I first wrote about the self-professed “God of Hair” in Toronto Life when he opened his eponymous Parthenon on Avenue Road.
The new, reincarnated Jie is not on the bright young thing’s radar; then again, neither is the tale of his scandal and resurrection. Therein lies the tale: Fashion is a fleeting business. Good news is that we forget bad stuff. But bad news is we don’t celebrate the knotty stories that make larger-than-life legends like our embolden-empower American cousins.
Allie Hughes and band at 69 Vintage Collective. Story and photography by Brendan Adam Zwelling.
The subway is packed but the crowds aren’t filtering out to this edge of the Junction Triangle, well beyond the festival zones. Still, at the Bloor West home of the 69 Vintage Collective (1207 Bloor St. W.) the banner of public art is being unfurled under the auspices of their Soiree des Hiboux event, a Nuit Blanche celebration with art, food and music.
In this case, the art is provided by the Lolita & Consuela installation, a slide projection on the joys of an inebriated kitchen party, which plays casually in an upstairs window.
Lately, the fashion industry has been abuzz about supporting Canadian designers and local brands. So it’s quite fitting that this edition of Style Map should feature the brilliant boutique, Shopgirls and its owner, Michelle Germain.
Located in the heart of Parkdale, Shopgirls is more than just a store where you buy things, go home content, and possibly visit again. Shopgirls is a bustling community centre for designers, artists, and fashion lovers alike. With over 80 Canadian designers on hand, a newly added Home section and a gallery hallway space showcasing original pieces by local artists, Shopgirls is quickly becoming a leading lady of Toronto’s fashion scene.
Beauty always takes a richer turn as fall breezes turn to winter winds. Liners get darker, shadows get deeper, and gloss falls to the bottom of the makeup bag, replaced by gorgeous matte lipsticks that feel like velvet on the lips. The loveliest hues this season come from the new Pure Matte Lipstick collection from NARS ($30 each, available at The Bay, hbc.com).
Our three favourite shades are highlighted above: Vesuvio (rich red), Terre de Feu (dark cherry), and Tonkin (plummy cinnamon). Test the long-lasting formula with a cup of hot apple cider, then add the other shades to your Christmas list.
The amazing Ziomedi bracelet from Anne-Marie Chagnon’s Pial collection.
Anne-Marie Chagnon knows how to make a statement. The Montreal-based jewellery designer creates pieces that get noticed, asked about, coveted. We love her dramatic, textural bracelets (like the Ziomedi, above) and her elegant Zitta necklace, which gracefully transforms into a darker, sexier piece. Anne-Marie’s new Pial collection features her most exciting work yet.
And guess what?
We want to give it you.
The Style Notebook has teamed up with Anne-Marie Chagnon to give one lucky reader the chance to win a $1,000 customized jewellery wardrobe. The winner will choose their favourite pieces, which Anne-Marie will make to order and send off in time for holiday gift-giving.
To enter, fill out a ballot after the jump, and bring it to Anne-Marie’s booth (#H44) at the One of a Kind Show, which runs from November 25 to December 5. We’ll announce the winner right here on December 6.
Story by Caitlin Agnew. Photography by Brendan Adam Zwelling.
Last Friday, Playground Projects held the opening party for Bitch Slap, a no-nonsense art show featuring works by 28 female artists living across Canada and in New York City.
Curated by Toronto art-scene veteran Derek Mainella, the show celebrated art of all mediums—painting, photography, drawing, installation, sculpture, and film. The landmark event was sponsored by nearly every other business on the Queen West strip, from Parts & Labour at one end to Carte Blanche at the other.
Guests arrived at Thrush Holmes Empire in all sorts of looks—tartan maxi skirts, fur hats, and vintage leather, to name a few— and spent the evening sipping Russian Standard Vodka, Pabst Blue Ribbon, and Vitamin Water.
Fashion trends may come and go, but art never goes out of style. Here are some of our favourite looks from the evening.
Story by Sara Graham. Photography courtesy of Billy Farrell Agency.
Last Thursday, The Society NYC hosted a perfectly proper affair (in a West Village mansion, no less) to celebrate the release of Lesley M.M. Blume‘s book Let’s Bring Back.
As part of The Society’s Literary Salon Series, ladies and gents slipped into 1940s attire to pay homage to those madcap mid-century fêtes thrown by heiress and art collector Peggy Guggenheim, and attended by her wild contemporaries in the modern art movement.