TIFF SPECIAL: Black Swan review

Story and illustration by Ayalah Hutchins.

After months of hearing about Rodarte‘s foray into costume design, this week the anticipation became reality as I excitedly watched the design house’s tutus in motion in Darren Aronofsky’s Black Swan.

This psychological thriller stars Natalie Portman as Nina Sayers, a professional dancer at a New York City ballet company, whose life is completely consumed by her career. Every night, she returns home alone, where she lives with her overly protective mother (Barbara Hershey), and leads a sheltered, isolated life, seemingly frozen in childhood.

When principal dancer Beth MacIntyre (Winona Ryder) unexpectedly retires from the company, artistic director, Thomas Leroy (Vincent Cassel) looks for a new dancer to star as the Swan Queen in his raw interpretation of Swan Lake. Desperate for the role, Nina is faced with a challenge.
Innocent and inexperienced, she is able to personify Odette, the White Swan character perfectly. But despite her strong technique, she has difficulty embodying Odile, the seductive and manipulative Black Swan. Enter Lily (Mila Kunis).

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