THE MOMENT: Annie Hall

For this weekly column, writer Mishal Cazmi highlights an iconic fashion film, item, or collaboration and explores its influence on style and pop culture. Above, Annie Hall‘s Diane Keaton (in Ralph Lauren tie given to her by Grammy Hall) with Woody Allen.

Ruth Morley was credited with designing the costumes for Woody Allen’s Annie Hall, but the wardrobe’s true essence, right down to many of its key pieces, originated with Diane Keaton. After the 1977 film, Keaton became known for her influential wardrobe almost as much as for her inspired performance. She became Woody Allen’s on-screen muse and a fashion icon for the rest of us.

In the movie, she wears vintage menswear—slacks, loose-fitting jackets, vests, fedoras, neckties—with complete conviction. She’s a master of layering, combining seemingly disparate separates into disheveled, effortless chic. “I love what you’re wearing,” Allen’s character, Alvy Singer, tells Annie Hall during their first meeting.

Allen himself was a fan of Keaton’s sartorial originality. In a 1995 interview, he is quoted as saying that Morley, the costume designer, objected to what Keaton wore to the set: “And I said, ’Leave her. She’s a genius…Let her wear what she wants.’”

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THE MOMENT: The Hermès scarf

For this weekly column, writer Mishal Cazmi highlights an iconic piece and explore its influence on style and pop culture. Above, a Spring 2010 Hermès scarf.

If fashion is the realm of covetable things, the Hermès scarf is the pinnacle of all fashion desires. It’s synonymous with luxury and refinement. Women who can afford it wear it as easily as its equally famous (pricier) sibling, the Birkin bag. The women who save up for it deem it an investment piece. To an outsider, it’s a square piece of cloth, no more, no less. To the fashion world, it’s a piece of treasure to cherish and to love.

The Hermès scarf made its debut in 1937 in Lyon, France. Since then, the fashion house has created over 2,000 silk scarves in an assortment of patterns and an exhaustive palette of colours. Marked by Hermès’s signature craftsmanship, the scarves are also hand-printed and the hems hand-stitched.

The scarf is nothing if not resourceful. Grace Kelly famously used a Hermès scarf as a sling for her broken arm. Madonna wore one as a wrap-around top in Swept Away. Sharon Stone made naughtier use of it for a bondage scene in Basic Instinct.

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